If you’ve visited the other parts of the site outside of BOOM Blog, you should be well aware that Vitalize Entertainment has been working on the other end of the game as well, developing a few artists that we believe in. Here is the first… Meet the duet Nexus. Just a sample of their work to wet your pallette. Tons more to come in the near future. If you like what you hear, please show the young ladies some encouragement. They work hard, have talent and a vision. Much love -Rondel
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- Oct
- 24
- 2009
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You Oughta Know: Nexus
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- Oct
- 15
- 2009
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FEATURE: MARS THE PLANET
VE: When did you start making beats?
MARS: 14 YEARS OLD. I TRIED TO EMULATE BEATS THAT WERE FEATURED ON THE RADIO. I GOT GOOD ENOUGH TO WHERE THE TRACKS I WAS EMULATING WOULD SOUND JUST LIKE THE TRACK OR EVEN BETTER. YOU KNOW I MIGHT BE GOOD AT THIS. SO I STARTED MAKING MY OWN BEATS.
VE: Did you always know that you were going to be a producer?
MARS: I DIDN’T KNOW WHAT BEING A PRODUCER ENTAILED. BUT I KNEW I WAS GOING TO BE DOING MUSIC. I ALWAYS WANTED TO DO MUSIC. OCCASIONALLY I WANTED TO BE A BASKETBALL PLAYER BUT I KEPT WITH MUSIC. INSTEAD OF PRACTICING MY FREE THROWS I WAS PRACTICING MY C NOTES.
VE: When you were younger, did you know that you would have this much success by age 25?
MARS: OF COURSE YOU DON’T KNOW HOW MUCH SUCCESS YOU ARE GOING TO HAVE. BUT I DEFINITELY HAVENT EVEN REACHED HALF OF MY POTENTIAL.
VE: Who are your musical influences?
MARS: MY DAD, MICHAEL JACKSIN, J DILLA, QUINCY JONES, STEVIE WONDER, DONNY HATHAWAY, ANITA BAKER, MARVIN WINANS, THOMAS WHITFIELD, MARVIN GAYE, PARLIAMENT, JAMES BROWN.
VE: How did you get your start? Tell me about your come up, working with Just Blaze and Brian Michael Cox.
MARS: I MOVED OUT MY PARENTS HOUSE AT THE AGE OF 17. GRADUATED FROM SCHOOL EARLY. MY DAD TOLD ME WHEN I FINISHED SCHOOL I COULD DO MUSIC. I SIGNED A ONE YEAR INDEPENDENT CONTRACT WITH THIS LADY LATISHA, HAD MY OWN STUDIO OWN APARTMENT. ALL I HAD TO DO WAS GIVE HER 15 BEATS. MY HOMEBOY JONATHAN INTRODUCED ME INTO LARRANCE. WE ALL PLAYED IN CHURCH. CAME BY HIS STUDIO. I PLAYED HIM SOME STUFF. LARRANCE SAID “I PLAY SOME STUFF FOR SNOOP YOU SHOULD COME BY AND PLAY SOME STUFF.” WENT AND PLAYED. SNOOP LIKED IT. SINCE THEN WE BECAME PRODUCTION PARTNERS. WORKING WITH JUST BLAZE AND BRIAN MICHAEL COX WAS GREAT BECAUSE THEY ARE SEASONED VETS AND BIG BROTHERS IN THE INDUSTRY. EVERY TIME I WORK WITH THEM I LEARN SOMETHING.
VE: Do you play any instruments?
MARS: I PLAY THE DRUMS, ORGAN, PIANO, BASS, ANYTHING WITH KEYS, KEYBOARDS, XYLOPHONES, WHATEVER.
VE: Damn that’s a lot lol. What are some of your biggest tracks.
MARS: DOPE BOYS BY GAME, TAKE YOU DOWN BY CHRIS BROWN, STRONGER BY KANYE WEST, WHICH ONE BY SNOOP, SHOW ME WHAT YOU GOT BY JAY Z. WE GOT SOME STUFF COMING OUT ON SNOOPS NEW ALBUM. GET THAT. “MALICE IN WONDERLAND.”
VE: Which of your beats if your favorite?
MARS: I LIKE TAKE YOU DOWN. TAKE YOU DOWN MIGHT BE ONE OF MY FAVORITE BEATS.
VE: What was your first major hit?
MARS: GANGSTA LOVE BY BOBBY VALENTINO.
VE: Describe the feeling when you first heard it on the radio.
MARS: I DIDN’T HEAR GANGSTA LOVE ON THE RADIO. THE FIRST MAJOR HIT ON THE RADIO WAS DOPE BOYS. IT WAS PRETTY EXCITING.
VE: What do you think about the current state of hip-hop.
MARS: THERE ISN’T TOO MUCH GREAT MUSIC OUT RIGHT NOW. SO THAT GIVES ME A LANE TO DO WHAT I LOVE TO DO WHICH IS GREAT MUSIC. EVERYBODY EXPRESSES THEMSELVES DIFFERENTLY.. I LIKE THE WAY LUPE RAPS THE WAY HE EXPRESSES HIMSELF. HE HAS STORIES AND CONCEPTS.VE: Is it in your plans to produce other genres or are you content with hip-hop and R&B?
MARS: I PRODUCE OTHER GENRES, I PRODUCE GOSPEL AND LOOKING FORWARD TO PRODUCE OTHER GENRES.
VE: What projects are you working on now that we should look out for?
MARS: SNOOP, LUPE, THE GAME, REDMAN, UHHH MAN JUST A LOT OF THINGS. IF ITS REALLY HOT YOU KNOW I DID IT. YOU KNOW ITS FROM THE HOTTEST PLANET: MARS.
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- Sep
- 15
- 2009
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Are You High School? Why I’m Still Team Kanye
I am not angry with Kanye West and let me tell you why. Right after Kanye’s stunt at the MTV VMAs, I was in shock for about 6 minutes. I really couldn’t speak or think clearly because I have been an avid music award viewer since I was a child, seen quite a few things, but nothing like that. Kanye was wrong for interrupting Taylor Swift’s speech, taking the mic, downplaying her award and re-awarding Beyonce – who from the looks of her face and body language was quite embarrassed and wanted nothing to do with the debacle. There’s no denying that Kanye had no right to take those actions and step on the Swift’s young, innocent joy.However, I immediately knew something was wrong with Kanye. Something wasn’t the same. Yea we’ve known him to be outlandish and tell award shows that they’re being disrespectful for cutting off his acceptance speech (Grammy’s) or not awarding him when he felt he was deserving (MTV), but there was something different this time. Before he was defending himself and hurting no one. This time he was on a rant to defend another artist and hurt an artist who I’m sure worked hard for her success. I immediately wondered why.
People were quick to bash Kanye West. They didn’t take two seconds to see that this wasn’t his usual antic…that there was a deeper issue, which I think was pretty clear for any person with depth. But of course, the general population is rather shallow and oblivious.
Soon after, pictures surfaced of Kanye getting buzzed up on the VMAs red carpet (pre-awards) with a bottle of Henny to the left and snake skin woman to the right. Again, I’m not saying he’s right by any means, nor is being drunk an excuse for outlandish and hurtful behavior. Kanye was definitely wrong, and has been wrong+sober in the past. My point though, is that the entire study of psychology is based on the brain and how we all react to life’s circumstances differently. There are plenty of drunks on the street or even in our families who are the way they are because of their reaction to circumstances. “Dam, something is wrong with him, he needs help” is more powerful than “F*ck Kanye, he’s a d*ck,” which is all I was hearing at the time.To be completely honest, if you didn’t like Kanye and didn’t support his music before this situation, none of what I’m saying is directed to you. You can continue disliking him and not supporting him, as I can completely understand and respect your viewpoint. He has done and said many controversial things in the past that can polarize you to either love or hate him. Personally, before this point, he didn’t make me do more than either laugh or shake my head. My comments are directed to the Kanye supporters who tolerated or even rocked with him before, who are suddenly anti-Kanye. These people are fickle and simple-minded. These are the people who read tabloid covers or hear gossip from a friend, nod their heads and all of a sudden that word is gospel. These are the people who ran Michael Jackson into the ground. Do better.
Ask yourself if you’ve ever been drunk and said or done something that hurt someone else. Or have you ever had a friend who you’ve forgiven for drunken dumbness after they apologized? Chances are you’ve been in at least one of those scenarios. I’ve forgiven friends who did drunken dumbness and they were not even drinking out of depression. They were just drunk to be drunk. So think a little deeper as to why some people would be weighing this simple situation between two artists so heavily, as if he beat someone, or statutory raped someone?Not to mention, this is THE SAME Kanye who was THE ONLY celebrity bold enough to call out the President of the most powerful country in the world and say that he doesn’t like black people. How easily people forget. “George Bush doesn’t care about black people!” Career on the line and all, Kanye has always talked out of turn, hate it or love it. This time, yes, it went a little too far because he’s been drinking away his depression… because he’s going through some things with the his mother passing, his fiance leaving him, the stress of a non-stop life on stage and the ordinary stresses of life. You don’t know that you yourself wouldn’t turn to alcohol if you were dealing with his battles. Or even if not alcohol, what would your reaction be? Running through women/men to fill a void? Shutting people who love you out of your life? Becoming a workaholic so you don’t have to deal with the pain that is your reality? Everyone has something.
But the question remains, if Kanye sincerely apologized for hurting Swift and anybody else who got hurt, why are some Kanye fans turning their backs? Is he not human? Is what he did REALLY that bad? Or is it just easier to write someone off instead of trying to figure them out?
The overall point is this: Kanye isn’t paying me to write this, but as usual, celebrity lives reflect our own. We go through what they go through, just under less magnification. We get scrutinized from the people around us rather than people around the world. If you were a Kanye fan before and you turn your back now, you’re really high school and need to do better. Perez Hilton and a number of celebrities and bloggers are on this rampant anti-Kanye thing like he punched them in the mouth. High school!
Picture this. High school: you had a homie who was outspoken as hell, but you accepted it or even liked it. It was entertaining as hell and usually they didn’t hurt anybody but themselves, but they didn’t care. Then one day your homie was going through some personal things and had a bad day, he spazzed on some chick you don’t even care for. Word spread around school that he was uncool for it and even after he apologized and explained himself, people just stopped talking to him. Is that still your homie?
In Music AA, act out, alcoholism, dead, depressed, dying, hate, hurt, kanye west, mic, michael jackson, mother, MTV, outlandish, pain, psychology, taylor swift, VMA, wrongGuess who’s bizzack? Silkk. Yessir, Silkk the Shocker. Your favorite New Orleanian who helped put the No Limit movement on the map in the 90s. I had a chance to catch up with multi-platinum, multi-millionaire artist and entrepreneur, who forreal is just a really cool dude! We chopped it up on everything from the projects he’s working on, Lauren the Shocker, his brother C-Murders murder trial, jerking [PAUSE: We’re talking about the dance] and what he’s been doing with all that good green $. Check it out…
BB: You’ve been laying low since your last album. What you been up to?STS: I’ve been working on this clothing line, working on a lot of films. Just focusing on the business side of stuff.
BB: I’m a believer that life influences art. Artists who release projects back to back without living seem to lose inspiration. Do you pull from life experiences to create your music?
STS: It’s funny you say that because I just talked to somebody about that the other day. That’s exactly what I did, I felt like I been doing [music] for about 12 – 13 years straight. We’re talking about being home for maybe a month out the year, if that. I did a lot of great things but didn’t have time to enjoy it. I would do back to back shows, like 28 shows in 30 days. You do all that stuff, a lot of great things, but you don’t enjoy it. So that’s exactly how I feel about it. I love music, I love everything about it, but I wasn’t really pressed to come back. A couple years went by but it doesn’t feel like it. I was doing things I really enjoy. Writing, I’m working on a book called “Poor Little Rich Kid.” I just got fed up with doing everything for everybody else so I just took some time off. We’ve done a lot of good stuff music, so I decided to take some time to enjoy what I’ve done. Once I did that I realized, wow, there’s something else besides music.
BB: Do you think people are ready for you to come back?
STS: Yea! Even though I haven’t put the record out, I’ve done a few shows did a couple of appearances and you know what, it’s actually the perfect time because my music right now is my best ever. People who’ve heard it, my family my brother they’re all are saying this is the best ever. And I agree, because there’s no pressure, I just love the music. I’m my worst critic, and if I like it, I think it’s pretty good. I liked my music [before] but uhhh… this one, I’m at my best. I’m very excited about it and it’s really not even my #1 focus to sell a billion records. If everybody likes it like how I like it, then I’m good with that.
BB: I hear you. You’re on that Diddy, Janet level where you’re not doing it for the money anymore because you’re all set in that respect. You’re just doing out of the pure passion for music at this point.
STS: *LOL* Exactly! You hit the nail on the head. I feel like I can go in the studio for 12 days and make a thousand songs and it would all be good. I’ve never felt how I felt now creative wise. When I got in the studio, I felt no pressure. When you feel like that, you have no writers block, you just give me a track and I do it. I really do feel like a Puffy where I’m just trying to make good music for the people. I’m pretty sure the fans are really going to embrace it. I speak to my fans all the time, they’re always asking when I’m coming back or they say “man, the rap game needs you!” And it feels good because, if I felt there was no need to come out, I wouldn’t even come out. I just feel there’s a lack of good music.
BB: What’s the vibe of the new music you’re working on? Like what can we expect? Is it serious, fun, laid back, upbeat?
STS: It’s a little of everything. I got heartfelt songs, I got rowdy songs, I got club songs, I got inspirational songs. I really can’t wait to see people’s perception of it. I really think I may have snuck up on what could be a classic, but you aint hear that from me *LOL* It’s definitely something for everybody on there. And I think by being such a good record, I think it will draw people to other songs. I like all types of music, no music is horrible to me. But let’s say like I don’t really listen to country, but I’ll listen to a Garth Brooks song every now and then and I start realizing how talented that guy is. And that’s how I feel this record is. You might like my rowdy stuff, another person my like my crossover stuff, another person my like my reality songs. At the end of the day, if you’re a true musician, you’re just happy that people are putting you’re record on.
BB: Will you be T-Paining all over that joint? Or you stand behind team DOA?
STS: *LOL* Yooouuu funny. You know what? I did one on [the album]. I’ve never done autotune before but my boy Tip produced this track, and it’s funny because I decided to try it. The good thing about it, it became one of my favorite joints on the record.
BB: What’s the name of it?
STS: It’s called Smiling. But yea, I like it; it’s one of my best songs on the record. But I didn’t get carried away and do too much of it. What happens is, I respect Jay and I respect T-Pain, but I just like music. I like Soulja Boy, Jim Jones, Jeezy, everybody who does good music. The catch is, as the music goes, you got to be able to respect all types of music. Certain parts of music, take you to the next genre of music. Like now it’s jerking. I mean I don’t jerk but I respect the fact that it keeps hip-hop going for the next person to come back. Like maybe the next Jay or the next 50 brings their next style. We don’t want to kill anything about hip-hop, we don’t want to stop jerking, T-Pain, Jay-Z. We want everybody to consistently put into it and then guess what? I might come out and they might stop jerking. But my point is they already got enough people trying to stop hip-hop, we don’t need to be trying to stop it amongst ourselves.
BB: A lot of people probably don’t know that you’re first album “The Shocker”, was released without the support of major label distribution and still went gold. That doesn’t happen for every indie artist. Why do you think people took to you so much, even without all the heavy video and radio promo?
STS: I just think it just caught on. I don’t know if it’s because I was always on my brother P’s record. I mean there was this one song with him, I can’t even remember the name of it. I don’t know what I did, but I kinda really did my thing on it. *LOL* Like it was just good, everybody was telling me I killed it.
BB: *LOL* Right, like “I don’t want to toot my own horn but, I MADE that record” *LOL*
STS: I did, he’ll tell you! But I didn’t realize how good it was until we look back on it now. So like I guess I set the bar with what I did there. The people grabbed it, almost like how Jeezy did on So Icy. I was only like 14 and I kept hearing my name. I remember E-40 was like “I’m a big old fan.” It’s funny, I don’t think I ever told this story before, but I remember I was on a video set, and I seen Tupac, I’m looking at him, he’s looking at me, so I thought he wanted to fight or something. *LOL* Like we just kept going back and forth and eventually I found he was a big old fan too, so that was a really good feeling, because you know, Tupac was a big deal. That was just kind of crazy. I guess overall it was just an energy, guys felt it, ladies felt it.
BB: I got a couple questions coming up about the ladies situation so you hold on to that. *LOL* How important is knowing this music business and making investments to your pockets? A lot of aspiring artists still think it’s all about talent and making hot music.
STS: The business side of it is #1. The first contract, the first thing you sign, you’re going to sign because you’re coming from nothing. Who knew that Jay-Z would be Jay-Z? Who knew Puffy would be Puffy? You’re not going to know that so you’re just going to try to get in somehow, which is good. You might get a contract with $500,000 up front, but that really isn’t anything. If you’re a big old star, you get a car for $90,000 a house for $250,000 and then you’re done. Not to mention, everything you do is recoupable, from the traveling budgets to the videos. Just put it like this, you’re going to be in the hole for five years.
Here’s what I would tell them and someone told me the same thing… Make them spend as much money as possible on your first record. I mean if they can spend $10 mill make them spend it. Make your single blow, become a big old star.
BB: So you’re saying make them make the investment early on and the money will come through later?
STS: Nah you’re not gonna get any money from them period, from record sales at least, so just get in the hole as much as possible. I should teach a class on this. *LOL* Say I want a million dollar video. I want a three million dollar marketing plan. Being in the hole half a million and five million is all the same thing, because you’re not even getting out of it, so don’t even worry about it. In the meanwhile you become this big star; you’re plastered everywhere, top of your game. Then, the next year, after you sell a lot of records everybody knows your name, then you just go in there, rip up the contract in their face and say I want a new contract.
BB: *LOL* that sounds like a good gameplan. I’m not even mad at that.
STS: Next interview you do an interview with anybody in this business, ask them how much they made on their first record. If they say they made one buck off of it, you call me and tell me who it is.
BB: *LOL* Aight.
STS: I’m just trying to be real with you.
BB: I like to focus on the positive, but I know people want to know your thoughts on your brother C’s murder trial. Any thoughts you can share with us?
STS: I can’t really talk about the case but I can say this about him. I’m proud of him, and I’m backing him up 100%. He’s a different dude. If he did the crime, then he should go to jail and do the time. I wouldn’t want anybody to come kill my brother so I’m not going to be biased on that. But he didn’t do it. If you read the pages, you know what’s going on. The justice system aint all right, you can tell something aint right. The first trial got overturned.
The Supreme Court doesn’t overturn a trial if everything is right. They wanted to sentence him because of his name. If we’re talking about justice, I mean I know he isn’t perfect, he has a history, but we’re talking about guilt and innocence. I can’t lock you up just because you hang with this guy. That means all our people, family and friends are in jeopardy. Now if he’s guilty, he needs to do the time. But if we know he didn’t do it, there’s all kinds of shady evidence in there, that aint right.
We need to fight, I’m not saying fight for C, but we gotta fight for the system because it could be you in there it could be me in there. If we don’t fight for this, they’re going to think they can do this all the time, to your kids, my kids, everybody.
What I do respect about C is that he is a different person at 20 than he is at 30. Yea he was a knucklehead, he did some stupid things, but as a man, and he got three kids now, he took his 10 years for that. But when I talk to him now, he’s a totally different dude. He changed, and he can do a lot of good. People listen to him, there’s a lot of dudes in Compton and Inglewood that know that he’s been through hell and back. He wants to talk to them and let them know this gangsta stuff aint all what it seems. Just like when I was 18, I thought I knew what I was doing, but I’m on a whole different page business wise right now. I thought I was doing the right thing at 18, but I’m doing the right thing now. We are able to change and we may have to suffer the consequences for what you didn’t do right in the past, which he has already done.
BB: Definitely hear you, thanks for sharing that. I recently interviewed Dawn Richard from Danity Kane who is also from New Orleans. Artists don’t always get the chance to speak on the good things they do. Have you contributed to the rebuilding of New Orleans? Or any other charity/non-profit efforts you want to let people know about?
STS: That’s all I really do now is charity. I’m doing a charity weekend with the city of Las Vegas, with City Councilman Barlow. We’re doing a back to school thing with the kids. We always give back to New Orleans and try to rebuild back that place. Really our main focus right now is the kids because that’s our future.
BB: Aight, enough business. Let’s get to know Silkk. I know ladies love you. This one girl named Lauren would have everyone address her in high school as “Lauren The Shocker” otherwise she wouldn’t even answer you *LOL* So I must ask on their behalf, are you single?
STS: *LOL* Ummmmm, you know everybody’s taken in some way. I’m pretty good right now. *LOL* yea I’m somewhat taken right now. You gonna get me in a lot of trouble on that one! *LOL*
BB: I’m saying, if I didn’t ask you that, Lauren the Shocker would not be a happy camper right now.
STS: Nah mean I was gonna wait for Lauren! But she never got with me so I was just kinda like, I needed to occupy my time. But I still got Lauren on speed dial. *LOL*
BB: I understand man, you can’t wait forever.
STS: Right! *LOL*
BB: What do you like to do for fun outside of roll around in big face hunnits?
STS: *LOL* I like to play basketball, bowl, do a lot of swimming and stuff. Just take care of myself, I exercise a lot. I sleep ridiculously, relax a lot. I go to sleep early most nights. I just chill, I don’t even be tripping.
BB: Who are some of your favorite artists out there right now? Or some songs that you’re feeling heavy?
STS: Lil Wayne is at the top, Jay-Z, Jeezy, Jim Jones. Drake has talent. I support everything. I don’t have a biased opinion. I don’t say anybody sucks, it’s just different. I send my assistant to go pick up albums on Tuesdays, just to support the movement.
BB: Have you heard any of the leaks from Jay’s new joint?
STS: I didn’t. I want to hear it but I don’t want to download it. I don’t want to support that. But I heard it was dope though. I heard it was tight.
BB: I mean yea, there’s a lot of different opinions going around. I try not to listen to too much of it, but I like the little that I’ve heard. But I feel like the situation is messed up. When there’s a release of that magnitude and it gets leaked, I just think that’s crazy. As if artists aren’t struggling enough.
STS: Yea, I feel like people should just be a part of the movement. I don’t like that. Like I don’t like the hating in hip-hop right now, period. Like if you go on the blogs and you see Soulja Boy, the guy is trying. But if you see the comments, like “he’s a F-ing jerk, he can’t rap.” I mean if you have an opinion, some criticism, that’s fine. Like say he needs to step his game up a little bit, whatever. But don’t be like “he’s the freaking worst.” Like I see 13 year old people calling chicks whores. But it’s like dude, how can you be sitting at home being a random hater?
BB: *LOL* So, How are you feeling about the current state of Hip-Hop?
STS: I’m up in the air about it right now. It’s good, the music could be a little bit better. But it’s kind of a stand still right now. The illegal downloading, all that takes away from it. Because I don’t see people really bootlegging rock & roll or country music like that. But it’s mainly our people, just constantly taking away from it.
BB: You’ve had movies, books, clothing line, music, record label, do you feel like you’ve conquered it all or is there something else out there that you’re itching to get into?
STS: I feel like I haven’t even scratched the surface yet. I go hard man. I’ve done a lot but I’m around people who’ve accomplished a lot more than I did. I’m usually the youngest around when I’m doing business, but I can hang with the best. So that inspires me. I don’t like to rush into doing anything, but if I feel passionate about doing something, I like to try it. Energy drinks, cartoons…
BB: Cartoons? What’s that about?
STS: This one is really big. This will be one of the biggest things I’ve done in a long time. We got the people who used to work at Disney who are doing it. Can’t talk about it much right now. But in a month or two you’ll know all about it. We’ll have a launch party and everything. But I don’t want anybody running away with my ideas.
BB: Is that under your production company?
STS: Yup!
BB: And when can we expect your album?
STS: My video is shot and everything, the single just dropped. The album is coming out December 4th. It’s called Holla At Your Boy.
BB: Any last words you want to share with our readers?
STS: Thank everybody. It’s going to be a beautiful year. I’m looking forward to coming back out and letting you know what I can do.
You can check the new single here: http://www.myspace.com/silkktheshocker
In FEATURES, Music album, blog, BOOK, boom, boom blog, c, c-murder, CHARITY, convicted, conviction, entertainment, HURRICANE KATRINA, MASTER P, MILLIONAIRE, MILLIONS, MULTI-PLATINUM, murder, NEW ORLEANS, NO LIMIT, POOR LITTLE RICH KID, RAPPER, record, SILK THE SHOCKER, SILKK, SILKK DA SHOCKER, SILKK THE SHOCKER, THE SHOCKER, trial, vitalize-
- Aug
- 25
- 2009
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Aaliyah Tribute 2009
Yall know how I feel about Aaliyah. She’s the only artist I’ve consistently obsessed over from the beginning. Girls wanted to be like her, guys wanted to be with her. The voice was silk, the beats knocked hard, the dancing was fluid, her aura was Oh God. We watched her grow up from baggy jeans and tube tops to couture dresses and heels on the red carpet.
Signed to Jive Records at age 12, Aaliyah is undercredited for paving the way for the many teenage singers that followed. She was the youngest African-American to perform at the Oscars. After her noted success as a teenager, record labels felt it was safe to introduce a Brandy or a Monica to the world. I also think it’s safe to say Ciara and Mya have pulled some inspiration, whether they like to admit it or not, though in my opinion neither can compare. Even the Queen Bey and Princess Rih have noted Aaliyah as one of their favorite artists that influenced them to be the artists they are today.
Luckily I had a chance to meet Aaliyah a few weeks before she passed in 2001. In person she was everything you expected her to be – beautiful, extra sweet, full of laughs, humble and soft spoken. She just released her third album and she was on top of the world.
I still bump her music and wonder what her next album, tour and movie would have been like. Her last album “Aaliyah” began to fuse hard rock with R&B, how far would that have taken her? She would have been 30 today, what would her life have been like? Kids? Married to Dame Dash? Would she still be recording music? Which current artists would not have had a career if she was still holding down that slot?
Aaliyah was already a star, having sold 24 million albums worldwide along with two major film credits under her belt, but there was a lot more to go. She still had not won a Grammy, and already signed on for roles in the Matrix I & II and a remake of the movie Sparkle. She was on the verge of reaching that next level of super-duper stardom.
So how does Vitalize Entertainment do a tribute to Aaliyah eight years after her passing? You’ve probably seen all her music videos. If not you can YouTube em. Instead, I pulled some rare unreleased songs, interviews and performances together here for you. Hope ya like!
Exclusive Behind The Scenes of Aaliyah on the set of The Matrix
http://www.casttv.com/ext/dca95b
Remake of Donny Hathaway’s Giving Up (For Sparkle Movie Soundtrack)
The One I Gave My Heart To Live (Blurry Vid but Vocals Popping)
If Your Girl Only Knew Live
One In A Million Live – MTV Spring Break
At Your Best Live
Rare Interview: Age Ain’t Nothing But A Number Era (Back In The Day)
I Refuse – Acapella at Radio Station
Unreleased Track – Where Would He Be
Unreleased Track – John Blaze
Unreleased Track – I Am Music
Unreleased Track – Girlfriends
Aaliyah Oscars Performance
High School Audition Audio: Ave Maria
Singing Acapella – Isley Brothers Let Me Down Easy in Radio Station
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